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Mood:
- AtmosphericStylizedContemplativeSincereCaptivating
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Plot:
- ProstituteRich and PoorSocial DifferencesLife is a BitchSocietyPower RelationsSiblings RelationsPolitical Unrest more...
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Genres:
- DramaPeriod
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Time/Period:
- 20th Century50s
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Place:
- IranMiddle East
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Praise:
- Critically AcclaimedPrestigious AwardsVenice Festival Winner
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Style:
- Multiple StoriesStrong Female Presence
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Based on:
- Based on Short Story
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Attitudes:
- SeriousRealisticSlow
Does this gene fit Zanan-e bedun-e mardan?
Zanan-e bedun-e mardan, 2009
Persian, Persian
Germany, Austria, France
Profile of Zanan-e bedun-e mardan
Zanan-e bedun-e mardan can be described as atmospheric, stylized, and contemplative. The plot revolves around a prostitute, being rich or poor, and power relations. The main genres are drama and period. In terms of style, Zanan-e bedun-e mardan involves multiple stories and stars a strong female character. In approach, it is serious and realistic. The storytelling is slow paced. Zanan-e bedun-e mardan is located in Iran. It takes place in the 1950s. It is derived from a short story. Zanan-e bedun-e mardan has received attention for being a Venice Festival winner and critically acclaimed.
Summary of Zanan-e bedun-e mardan
Internationally acclaimed visual artist Shirin Neshat is known for her stark, potent photo and video portraits of how women in Islam experience the world. Given a canvas as vast as a feature film, she expands her vision while simultaneously bringing it home to the history that shaped her.Adapting Shahrnush Parsipur's fabulist novella, Neshat returns to the Tehran of the early fifties, a volatile time that was a crucible for today's Islamic republic despite being a world away from current conflicts. Roving from the gilded rooms of the rich to the streets where a prostitute plies her trade, Women Without Men weaves together the stories of five women: Mahdokht, struggling with the shameful loss of her virginity; Munis, a middle-aged woman still under the control of her brother; the prostitute Zarin; the virgin Faezeh; and Farrokhlaqa, a matron in high society whose husband is as stifling as the airless rooms that confine her. Each woman seeks freedom in surprising and sometimes shocking ways.Neshat's art installations have long worked wonders with the emotional power of film, video and photography, and yet it can still come as a surprise to witness the beauty of her images. Working with cinematographer Martin Gschlacht, she translates Parsipur's literary magic realism with a visual style that can be at once ethereal and wrenching. Each scene unfolds in a succession of gorgeous shots, yet each scene holds the promise of danger. The sequence in a public bath is a particular standout.Women Without Men – Parsipur's title was a response to Ernest Hemingway's Men Without Women – is deliberate in its oppositions. The film is set against the era of the Americanand British-backed coup that brought down Prime Minister Mohammad Mossadegh and reinstalled the Shah, contrasting this political drama with troubling tableaux of women's intimate lives. In the world of the film, men define and enact broad social forces while women respond with their bodies and souls. In time, the women shape their own world in a garden, made both literal and subtly metaphoric.
Details
| Language: | Persian, Persian |
| Country: | Germany, Austria, France |
| Release date: | 23 January 2010 |
| Runtime: | 95 min |
Cast and Crew
as Ali
as Zinat
as Abbas
as Soldier
Photos
