The mood of Welcome to the Dollhouse is biting, cynical, and clever. The plot centers around misfits, family problems, and coming of age. It features dark humor and satire. Welcome to the Dollhouse is a drama, comedy, and independent movie. In approach, it is realistic. It takes place, at least partly, in the suburbs and at a school. Welcome to the Dollhouse is set in New Jersey. It happens in the 1990s. The movie is known for being a Sundance Festival winner and critically acclaimed.
Summary of Welcome to the Dollhouse
Todd Solondz's WELCOME TO THE DOLLHOUSE follows the painful daily trials of Dawn "Wienerdog" Wiener (Heather Matarazzo), an awkward, nerdy 12-year-old. The middle child between her geeky older brother, Mark (Matthew Faber), and her sickeningly sweet little sister, Missy (Daria Kalinina), Dawn has a rough time with her family and everything else, including school and boys. She's obsessed with Mark's hunky bandmate, Steve (Eric Mabius), but the only guy who pays her any attention is the local thug, Brandon (Brendan Sexton III), who constantly threatens her with rape.
With startling accuracy and humor, Solondz captures the hell known as junior high in his blow-by-blow account of Dawn's difficult life. One of the darkest and funniest tales of adolescence ever filmed, DOLLHOUSE serves as a grateful reminder that puberty strikes only once.
Details
Language:
English
Country:
USA
Release date:
15 January 1996
Runtime:
88 min
Cast and Crew
Heather Matarazzo
as Dawn Wiener
Matthew Faber
as Mark Wiener
Photos
Welcome to the Dollhouse (1995)
Clips
Welcome to the Dollhouse: Official Trailer
Welcome to the Dollhouse: Official Trailer
Critics Reviews
TV Guide
Hilarious and stunningly frank, writer-director Todd Solondz's evocation of awkward adolescence is a bracing antidote to the counterfeit nostalgia of "The Wonder Years" or "My So-Called Life".
|
by: Staff(not credited)
The New York Times
With a fine vengeance along with flashes of great, unexpected tenderness, Mr. Solondz lethally evokes every petty humiliation that his seventh-grade heroine can't wait to forget.
|
by: Elvis Mitchell
Users Reviews
Welcome to the Dollhouse (1995)
Let me preface this review by saying that I gave this film a high rating because of its cinematic achievements. It is a profound and well constructed piece of cinema. That being said, it is not entertaining, let alone enjoyable, to watch.
The...
05.January.2011
|
by: wriswith
wriswith rated this movie9/10Amazing
Welcome to the Dollhouse (1995)
Let me preface this review by saying that I gave this film a high rating because of its cinematic achievements. It is a profound and well constructed piece of cinema. That being said, it is not entertaining, let alone enjoyable, to watch.
The plot is about a young girl in junior high that doesn't have the looks or social skills to enjoy life. She is below average in every way. She is fairly ugly, not particularly smart, kind or even lucky for that matter. She just doesn't excel at anything.
This as a main character is already quite grim, a protagonist who doesn't excel at anything. We are even taught from a very early age this impossible. Teachers, guidance counselors, parents,... everybody will always say everyone is good at at least something. But this film doesn't grant you such cozy illusions. The cold truth then, some people just suck at everything.
The film doesn't stop there at tearing down all those cozy 'facts' about life. Nearly every character in this movie is just plain mean. Of course you might expect this from those nasty little children who don't know better, but then you get to see the adults.
The mother's behavior borders on cruelty, she antagonizes Dawn (the main character) and openly favors her other, more beautiful and successful daughter.
The teachers act along the same lines. When they are not ignoring the bullying, they actually have the nerve to hold Dawn accountable for being bullied.
Even when a janitor walks in on Dawn being threatened by a knife he doesn't care. Dawn gets a chance to escape, but he doesn't even pause and just goes about his business.
After throwing the inherent goodness of people out of the window, the film continues to attack the sense of cosmic justice. In our society we believe that if you do something bad, bad things will happen to you. Well, not in this film. The people who wrong Dawn constantly get away with it and she is often punished without reason.
The last hope would for our classic Hollywood sense of good would be that Dawn endures this all, but stays good herself. Of course no such luck, every chance she gets she lashes out to the ones weaker than her. She picks on her little sister and her only friend whenever she feels angry.
This is what I think this film is about. Life isn't inherently good. Things aren't going to be OK just because that is easier to belief. People suck and are always going to be cruel. More often than not, things will fail even if you give it everything you've got. Basically life sucks for some (if not most) people and if it sucks for you there is often nothing you can do about it.
It is because of this message I rated this film so high. You need to have a lot of courage to make a film that will confront people with these uncomfortable truths. Most people wont be grateful to see more than the perfect picture society paints. And who knows, maybe ignorance is better, it will certainly make you happier. But this film is for people who learned the truth the hard way. It isn't always going to be fine, you might never be happy and most important of all: it doesn't matter how much you try, you might never succeed.
Solondz' second-best film is a masterpiece in it's own right, and almost impossible to pay homage to in such a short medium as these small reviews. This is a film about the pain, embarrasment and yearning of adolescense, but also about the brutal...
20.March.2009
|
by: sethdellinger
sethdellinger rated this movie0/10
Solondz' second-best film is a masterpiece in it's own right, and almost impossible to pay homage to in such a short medium as these small reviews. This is a film about the pain, embarrasment and yearning of adolescense, but also about the brutal and unflinching world that allows it (or even fails to notice it). Dawn Weiner is an unforgettable character, if only because she is put through such realistic teenage pain, as well as the fact that we are watching Dawn as she is learning a lot of the facts of life. Like all other Solondz films, Dollhouse has a lot to do with sex (although considerably less than all his other films). Dawn's confusion over what "finger f****ng" is, along with her desire to participate in it solely for social acceptance, is a terrifying reminder of what growing up in our culture is like--and what it means about us. Why do we allow the pack-like mentality and destruction of the weak that comes with growing up? Is it, in fact, necessary? Solondz says perhaps it is. And perhaps, even before our children know how to drive, they are just as destructive, conniving, foul-minded and perverse as those of us grown-ups who are walking our Yorkies down sun drenched side streets.