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Mood:
- StylizedCleverHumorousSuspensefulWittySexy
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Plot:
- Criminal HeroesPolice DetectiveUnlikely CoupleCons and ScamsHeistCrimesDishonestyCouples more...
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Genres:
- CrimeRomanceThriller
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Time/Period:
- 20th Century90s
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Place:
- New YorkUSA
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Audience:
- Date Night
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Style:
- Twists and Turns
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Based on:
- Remake
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Attitudes:
- Semi SeriousRealistic
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Flag:
- NudityProfanitySexual Content
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The Thomas Crown Affair, 1999
Polish, English, German, French
USA
Profile of The Thomas Crown Affair
The Thomas Crown Affair can be described as stylized, sexy, and clever. The plot revolves around an unlikely couple, a heist, and cons and scams. The main genres are romance, crime, and thriller. In terms of style, The Thomas Crown Affair involves twists and turns. In approach, it is realistic. It is located in New York. The Thomas Crown Affair takes place in the 1990s. It is a remake. It is well suited for a date night. Note that The Thomas Crown Affair involves nudity, sexual content, and profanity.
Summary of The Thomas Crown Affair
Thomas Crown (Pierce Brosnan) is a self-made billionaire who can buy anything he wants and is irresistible to women. But there are some things that money can't buy. Thomas Crown has run out of challenges. When an alarm sounds at a a world class museum and someone walks out with a priceless Monet, Crown is the last person the New York police suspect. Who would steal something he could easily afford to buy and why would he? But one person suspects him: Catherine Banning (Renne Ruso), the brilliant female investigator hired to retrieve the painting no matter what it takes. Catherine loves the chase as much as he does and she's on to his game. Crown has found his challenge.
The Thomas Crown Affair is based on the 1968 movie with the same title staring Steve McQueen and Faye Dunnaway.
Details
| Language: | Polish, English, German, French |
| Country: | USA |
| Release date: | 27 July 1999 |
| Runtime: | 113 min |
Cast and Crew
as Thomas Crown
as Catherine Banning
Photos
Clips
Critics Reviews
Salon.com
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- by: Charles Taylor
The New Yorker
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- by: David Denby
