Variety
The crazier Nicholson gets, the more idiotic he looks. Shelley Duvall transforms the warm sympathetic wife of the book into a simpering, semi-retarded hysteric.
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- by: Staff (Not Credited)
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Variety
The crazier Nicholson gets, the more idiotic he looks. Shelley Duvall transforms the warm sympathetic wife of the book into a simpering, semi-retarded hysteric.
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- by: Staff (Not Credited)
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Time
It is a daring thing the director has done, this bleaching out of all the cheap thrills, this dashing of all the hopes one brings to what is, after all, advertised as "a masterpiece of modern horror." Certainly he has asked much of Nicholson, who...
Time
It is a daring thing the director has done, this bleaching out of all the cheap thrills, this dashing of all the hopes one brings to what is, after all, advertised as "a masterpiece of modern horror." Certainly he has asked much of Nicholson, who must sustain attention in a hugely unsympathetic role, and who responds with a brilliantly crazed performance.
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Salon.com
Stephen King reportedly loathed the liberties Kubrick and co-writer Diane Johnson took with his story, but King's ur-villain, the emasculated husband from hell, has never been more clearly presented on-screen.
Salon.com
Stephen King reportedly loathed the liberties Kubrick and co-writer Diane Johnson took with his story, but King's ur-villain, the emasculated husband from hell, has never been more clearly presented on-screen.
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The New York Times
Meticulously detailed and never less than fascinating, The Shining may be the first movie that ever made its audience jump with a title that simply says "Tuesday."
The New York Times
Meticulously detailed and never less than fascinating, The Shining may be the first movie that ever made its audience jump with a title that simply says "Tuesday."
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