Washington Post
Bale and Jackman inject their reliable charisma into two otherwise very cold fish. Okay, I'll say it: If you see only one magic-at-the-turn-of-the-century movie this year, make it this one.
Washington Post
Bale and Jackman inject their reliable charisma into two otherwise very cold fish. Okay, I'll say it: If you see only one magic-at-the-turn-of-the-century movie this year, make it this one.
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TV Guide
The film's prestige is a doozy, both dazzling and preposterous, but if you're watching closely -- as Cutter advises in the film's first few minutes -- it's flawlessly set up.
TV Guide
The film's prestige is a doozy, both dazzling and preposterous, but if you're watching closely -- as Cutter advises in the film's first few minutes -- it's flawlessly set up.
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USA Today
A visually stunning, startlingly clever sleight of hand that will have audiences pondering well after the lights go up.
USA Today
A visually stunning, startlingly clever sleight of hand that will have audiences pondering well after the lights go up.
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Rolling Stone
Nolan directs the film exactly like a great trick, so you want to see it again the second it's over. I'd call that wicked clever.
Rolling Stone
Nolan directs the film exactly like a great trick, so you want to see it again the second it's over. I'd call that wicked clever.
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Los Angeles Times
The Prestige does more than focus on magicians. It is so in love with the romance, wonder and ability to fool of stage illusion that it becomes something of a magic trick in and of itself
Los Angeles Times
The Prestige does more than focus on magicians. It is so in love with the romance, wonder and ability to fool of stage illusion that it becomes something of a magic trick in and of itself
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Entertainment Weekly
The Prestige isn't art, but it reaps a lot of fun out of the question, How did they do that?
Entertainment Weekly
The Prestige isn't art, but it reaps a lot of fun out of the question, How did they do that?
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The New York Times
Stuffed with hard-working actors, sleek effects and stagy period details, The Prestige, directed by Christopher Nolan from a script he wrote with his brother Jonathan, is an intricate and elaborate machine designed for the simple purpose of diversion.
The New York Times
Stuffed with hard-working actors, sleek effects and stagy period details, The Prestige, directed by Christopher Nolan from a script he wrote with his brother Jonathan, is an intricate and elaborate machine designed for the simple purpose of diversion.
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