San Francisco Chronicle
Won't go down as an action thriller for the record books, but it's a pretty good one for right now. First of all, the villain is a bank. How's that for timing?
San Francisco Chronicle
Won't go down as an action thriller for the record books, but it's a pretty good one for right now. First of all, the villain is a bank. How's that for timing?
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Salon.com
This is a thriller where the cutting, even in most of the action sequences, is meticulous but leisurely. The elaborate set pieces are so beautifully worked out that you could take them apart, shot by shot, and fit the pieces back together like an...
Salon.com
This is a thriller where the cutting, even in most of the action sequences, is meticulous but leisurely. The elaborate set pieces are so beautifully worked out that you could take them apart, shot by shot, and fit the pieces back together like an intricate Chinese puzzle.
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Entertainment Weekly
There's something almost endearingly out of sync about the sleek but now dated Euro-thriller The International.
Entertainment Weekly
There's something almost endearingly out of sync about the sleek but now dated Euro-thriller The International.
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The Hollywood Reporter
Punctuated with bursts of explosive energy, this is a contained, cerebral film.
The Hollywood Reporter
Punctuated with bursts of explosive energy, this is a contained, cerebral film.
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Washington Post
The compulsively watchable Owen makes for an ideal leading man of both action and angst. The film's eye-popping set piece, a shootout at the Guggenheim Museum, is an extravagantly choreographed valentine to philistines everywhere.
Washington Post
The compulsively watchable Owen makes for an ideal leading man of both action and angst. The film's eye-popping set piece, a shootout at the Guggenheim Museum, is an extravagantly choreographed valentine to philistines everywhere.
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