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Memoirs of a Geisha, 2005

Memoirs of a Geisha

Japanese, English

USA

Rating:7.1
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Profile of Memoirs of a Geisha

Memoirs of a Geisha can be described as atmospheric, stylized, and sentimental. The plot revolves around unfulfilled love, a rise to the top, and an uninhibited rivalry. The main genres are drama, romance, and period. In terms of style, Memoirs of a Geisha has a Hollywood tone and is a melodrama. In approach, it is serious and realistic. It is located in Japan. Memoirs of a Geisha takes place in the 1920s and in the 1930s. It is based on a book. The movie has received attention for being an Oscar winner. Memoirs of a Geisha is well suited for a girls' night.

Summary of Memoirs of a Geisha

Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways.

MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman.

Details

Language: Japanese, English
Country: USA
Release date: 9 December 2005
Runtime: 145 min
Awards: Academy Awards

Awards

Dion Beebe for Best Cinematography at the 2005 Academy Awards

Cast and Crew

Ziyi Zhang as Sayuri in Memoirs of a Geisha
Ziyi Zhang

as Sayuri

Ken Watanabe as Chairman in Memoirs of a Geisha
Ken Watanabe

as Chairman

Photos

Suzuka Ohgo in Memoirs of a Geisha (2005)
Suzuka Ohgo in Memoirs of a Geisha (2005)
Koji Yakusho in Memoirs of a Geisha (2005)
Koji Yakusho in Memoirs of a Geisha (2005)
Gong Li in Memoirs of a Geisha (2005)
Gong Li in Memoirs of a Geisha (2005)
Ziyi Zhang, director Rob Marshall and Ken Watanabe on the set of Memoirs of a Geisha (2005)
Ziyi Zhang, director Rob Marshall and Ken Watanabe on the set of Memoirs of a Geisha (2005)
Gong Li in Memoirs of a Geisha (2005)
Gong Li in Memoirs of a Geisha (2005)
Kaori Momoi in Memoirs of a Geisha (2005)
Kaori Momoi in Memoirs of a Geisha (2005)

Clips

Memoirs of a Geisha
Memoirs of a Geisha: Theatrical
Memoirs of a Geisha
Memoirs of a Geisha: Theatrical
Memoirs of a Geisha
Memoirs of a Geisha: You Will Be Known As Sayuri
Memoirs of a Geisha
Memoirs of a Geisha: Your Offer

Critics Reviews

Variety
From a filmmaking point of view, this is a work that the old Hollywood moguls themselves would have been proud to present.
Los Angeles Times
Spanning two decades and a momentous war, Memoirs of a Geisha displays all the pomp and grandeur of an epic, but you wouldn't call it sweeping.

Users Reviews

no.
welcome to a film where western exoticization (is that even a word) reigns over any sort of cultural or political reality. not even The Last Samurai was as painful to watch as this irritatingly dramatic, culturally ignorant excuse for a film. if...
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