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Manhattan, 1979

Manhattan

English

USA

Rating:8.1
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Profile of Manhattan

The mood of Manhattan is clever, contemplative, and witty. The plot centers around the life of a writer, looking for love, and introspection. It is a drama, romance, and comedy movie. Stylistically, Manhattan stars an ensemble cast and is talky. In approach, it is realistic. The pacing is slow. Manhattan takes place, at least partly, in an urban environment. The setting is New York. It happens in the 20th century. Visually, Manhattan is black and white. The movie is known for being a classic and critically acclaimed. It is especially suggested for a date night.

Summary of Manhattan

Woody Allen finished his first decade of filmmaking, the 1970s, with one of his greatest and most deliberately artistic films, the love song to his home city Manhattan. Allen plays Isaac Davis, another one of his thinly veiled self-portraits, who finds himself suffering from a mid-life crisis. Unhappy in his career as a variety show comedy writer and newly divorced from a woman who has since come out as a lesbian, Isaac waffles between two relationships: that with emotionally honest and open, but far too young, Tracy (Mariel Hemingway in an Academy Award nominated performance) and with pseudo-intellectual, neurotic Mary (Diane Keaton). Allen uses these two women to contrast the naiveté and lack of pretension of youth with the growing cynicism of middle age.

Although the acting and writing is some of the sharpest of Allen's filmmaking career, what is truly memorable and endearing about Manhattan is its romantic view of New York. Whereas the character relationships in the film are largely dysfunctional and fueled by a vision of perfection, by contrast the city itself is envisioned by Allen as an object of perfection. In order to create aesthetically pleasing images of the city, Allen and his longtime cinematographer Gordon Willis decided to shoot the film in black and white and in the 2.35:1 widescreen ratio, the first time that Allen had used either format. The images are backed by the songs of quintessential New York composer George Gershwin, setting a tone of romanticism and grandeur that underlies Isaac's (and Allen's) inherent dissatisfaction with the mundane aspects of his life. The magnificence of the city of New York is the backdrop to the search for a similar splendor in human relationships in Manhattan.

Details

Language: English
Country: USA
Release date: 25 April 1979
Runtime: 96 min

Cast and Crew

Diane Keaton as Mary Wilkie in Manhattan
Diane Keaton

as Mary Wilkie

Woody Allen as Isaac Davis in Manhattan
Woody Allen

as Isaac Davis

Photos

Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)
Manhattan (1979)

Critics Reviews

Time
What happens is not the substance of Manhattan as much as how it happens. The movie is full of moments that are uproariously funny and others that are sometimes shattering for the degree in which they evoke civilized desolation.
TV Guide
Deft comedy set in a neurotic town. People may argue about the relative merits of Annie Hall vis-a-vis Manhattan, which is a better and more fully realized film. By this time Allen had forsworn the glib one-liner and spent more time developing...

Users Reviews

Prime Allen. The most natural dialogue I've seen in an Allen film yet. The choice to film in black and white was inspired. Mariel Hemingway is amazing on a level so good, you almost won't notice it.
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