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Dirty Dancing: Havana Nights, 2004
English, Spanish
USA
Profile of Dirty Dancing: Havana Nights
The mood of Dirty Dancing: Havana Nights is sentimental, feel good, and touching. The plot centers around dancers, social differences, and falling in love. It is a drama, romance, and independent movie. Stylistically, Dirty Dancing: Havana Nights is a melodrama. In approach, it is serious and realistic. The setting is Cuba. Dirty Dancing: Havana Nights happens in the 1950s. The musical score is latin, R&B, and pop. It is a remake. Dirty Dancing: Havana Nights is especially suggested for a date night.
Summary of Dirty Dancing: Havana Nights
Katey Miller (Romola Garai) is an 18-year-old girl who is about to have the time of her life, even if she doesn't know it. When her father Bert Miller (John Slattery) is transferred to Havana in 1958, just before Katey's senior year in high school, the whole family relocates to the exotic locale, moving into a luxurious hotel filled with Americans as Cuba teeters on the brink of revolution. Bookish Katey is mesmerized by the raw intensity of the dancing she sees in a public square one afternoon--and by Javier (Diego Luna), a Cuban pool boy that works at her hotel. Soon, Katey and Javier are heating up the dance floor, combining his Latin moves with her formal ballroom training. With some inspiration from the hotel dance instructor, played by none other than the original dirty dancer Patrick Swayze, Katey enters a Latin ballroom dance competition. Based on co-producer and choreographer JoAnn Jansen's own experiences as an American teenager in Cuba, DIRTY DANCING: HAVANA NIGHTS comes to the screen 17 years after the original DIRTY DANCING debuted. This coming-of-age film also features Sela Ward as Katey's mother, and was directed by Guy Ferland (TELLING LIES IN AMERICA).
Details
| Language: | English, Spanish |
| Country: | USA |
| Release date: | 27 February 2004 |
| Runtime: | 86 min |
Cast and Crew
as Javier Suarez
as Katey Miller
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Critics Reviews
TV Guide
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- by: Angel Cohn
Chicago Tribune
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- by: Allison Benedikt
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