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Fur: An Imaginary Portrait of Diane Arbus, 2006

Fur: An Imaginary Portrait of Diane Arbus

English

USA

Rating:6.2
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Profile of Fur: An Imaginary Portrait of Diane Arbus

The mood of Fur: An Imaginary Portrait of Diane Arbus is gloomy, stylized, and atmospheric. The plot centers around self discovery, falling in love, and lifestyle. It is a drama movie. In approach, it is serious and realistic. The setting is New York. It happens in the 1950s. It is drawn from a biography and originally a true story. Note that it includes nudity, sexual content, and profanity.

Summary of Fur: An Imaginary Portrait of Diane Arbus

Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In Fur: An Imaginary Portrait of Diane Arbus, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end.

In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist.

Details

Language: English
Country: USA
Release date: 1 September 2006
Runtime: 122 min

Cast and Crew

Nicole Kidman as Diane Arbus in Fur: An Imaginary Portrait of Diane Arbus
Nicole Kidman

as Diane Arbus

Robert Downey Jr. as Lionel Sweeney in Fur: An Imaginary Portrait of Diane Arbus
Robert Downey Jr.

as Lionel Sweeney

Photos

Fur: An Imaginary Portrait of Diane Arbus (2006)
Fur: An Imaginary Portrait of Diane Arbus (2006)
Harris Yulin and Jane Alexander in Fur: An Imaginary Portrait of Diane Arbus (2006)
Harris Yulin and Jane Alexander in Fur: An Imaginary Portrait of Diane Arbus (2006)
Fur: An Imaginary Portrait of Diane Arbus (2006)
Fur: An Imaginary Portrait of Diane Arbus (2006)
Nicole Kidman and Ty Burrell in Fur: An Imaginary Portrait of Diane Arbus (2006)
Nicole Kidman and Ty Burrell in Fur: An Imaginary Portrait of Diane Arbus (2006)

Clips

Fur: An Imaginary Portrait of Diane Arbus
Fur: An Imaginary Portrait of Diane Arbus: Official Trailer

Critics Reviews

The Onion (A.V. Club)
Fur is that rare movie that's TOO understated, so quiet and deliberate that it effectively buries consuming passions.
Los Angeles Times
Yet whenever you get too irritated at Fur's pretensions, the remarkable acting of its two stars pulls you back in and keeps you watching.

Users Reviews

One of the most captivating, fascinating, strange, beautiful films I've ever seen. It's part biopic, part fictional tragic love story, part spectacular. It's taking Diane and her photos and inventing an imaginary portrait of her life and those she...
In the beginning of the movie it is stated that this is not a true biography, it's what the director envisioned Arbus' life was like... how she saw the world and interacted with it. It is truly a beauty and the beast tale in the most literal of...
Likely to see
Not for me

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