TV Guide
Director Scott Kalvert returns to wring every last cliché out 1950s juvenile delinquent movies, without adding anything particularly fresh to the formula.
TV Guide
Director Scott Kalvert returns to wring every last cliché out 1950s juvenile delinquent movies, without adding anything particularly fresh to the formula.
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The Onion (A.V. Club)
A repellent orgy of gratuitous violence and hackneyed melodrama, Deuces Wild marks a grim nadir for everyone involved, including late cinematographer John A. Alonzo (Chinatown, Harold & Maude), who deserved a much better swan song.
The Onion (A.V. Club)
A repellent orgy of gratuitous violence and hackneyed melodrama, Deuces Wild marks a grim nadir for everyone involved, including late cinematographer John A. Alonzo (Chinatown, Harold & Maude), who deserved a much better swan song.
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Entertainment Weekly
If you put the scripts for ''West Side Story,'' ''Mean Streets,'' and ''The Warriors'' in a blender, you might wind up with something like Deuces Wild, a preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958.
Entertainment Weekly
If you put the scripts for ''West Side Story,'' ''Mean Streets,'' and ''The Warriors'' in a blender, you might wind up with something like Deuces Wild, a preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958.
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The Globe and Mail (Toronto)
Brainless, but enjoyably over-the-top, the retro gang melodrama, Deuces Wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism.
The Globe and Mail (Toronto)
Brainless, but enjoyably over-the-top, the retro gang melodrama, Deuces Wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism.
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