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Contempt, 1963

Contempt

French, English, German, Italian

France, Italy

Rating:7.7
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Profile of Contempt

The mood of Contempt is cynical, thought provoking, and clever. The plot centers around the life of a writer, filmmaking, and showbiz. It features satire. Contempt is a drama and foreign movie. Stylistically, it is New Wave and is talky. In approach, it is serious and realistic. The pacing of Contempt is slow. The setting is Italy. It happens in the 1960s. Contempt is based on a book. The movie is known for being essential viewing and critically acclaimed. Note that it includes nudity.

Summary of Contempt

Jean-Luc Godard's cynical look at the art of filmmaking follows a screenwriter in his attempts to recount Homer's THE ODYSSEY. Full of insights into the compromises required of filmmakers, as well as autobiographical allusions, especially concerning the failed union of Godard and actress Anna Karina, 1964's CONTEMPT is one of the most widely recognized films about the filmmaking process. It is also considered the film that made Godard realize that lavish productions were not for him, sending him back into a lower-budget world where he could maintain complete control over his films. Shot in glorious CinemaScope by Raoul Coutard, CONTEMPT is a poignant artistic commentary and a dramatic exposé of a dying marriage.

Paul Javal (Michel Piccoli) is struggling with Jeremy Prokosch (Jack Palance), the manipulative American producer financing his big-budget venture, and is frustrated by Fritz Lang (playing himself), the film's egotistical director. Concomitantly, his marriage to his gorgeous wife Camille (Brigitte Bardot) founders, and the emotional distance between them weighs heavily upon him.

Details

Language: French, English, German, Italian
Country: France, Italy
Release date: October 1964
Runtime: 103 min

Cast and Crew

Brigitte Bardot as Camille Javal in Contempt
Brigitte Bardot

as Camille Javal

Photos

Contempt (1963)
Contempt (1963)

Clips

Contempt
Contempt: Official Trailer

Users Reviews

Not seeing all of Godard's films at an early age (since the great one were made years before my birth) I find this film, like many other of Godard's, way ahead of it's time. This particular film opened up to the world how much the film business is...
Likely to see
Not for me

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