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A Fistful of Dollars, 1964

A Fistful of Dollars

Italian

Italy, Spain, West Germany

Rating:8.0
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Profile of A Fistful of Dollars

A Fistful of Dollars can be described as stylized, atmospheric, and exciting. The plot revolves around lone wolves, dishonesty, and heroes. The main genres are western, foreign, and action. In terms of style, A Fistful of Dollars is a spaghetti western. In approach, it is serious and realistic. It is set, at least in part, in a small town. A Fistful of Dollars is located in Mexico. It takes place in the Old West and in the 19th century. It is a remake. A Fistful of Dollars has received attention for being essential viewing and critically acclaimed. It is well suited for a boys' night. Note that it involves violent content.

Summary of A Fistful of Dollars

The first true Spaghetti Western follows the exploits of a nameless drifter (Clint Eastwood) who wanders into a town torn apart by greed, corruption, and revenge. The clever, tough-talking gunslinger then plays the town's two feuding families off each other to his own benefit. As members of each family are planted in the ground, the gold in his pockets gets heavier and heavier.

This violent remake of Akira Kurosawa's YOJIMBO made Eastwood a star, and sparked two sequels--FOR A FEW DOLLARS MORE and THE GOOD, THE BAD AND THE UGLY--to form what is now referred to as the Man with No Name trilogy. All three films starred Eastwood, featured Ennio Morricone's distinctive musical compositions, and were directed--in a wonderfully gritty style--by Sergio Leone. Although the film was not released in the United States until 1967, it was produced and released internationally in 1964.

Details

Language: Italian
Country: Italy, Spain, West Germany
Release date: 18 January 1967
Runtime: 99 min

Cast and Crew

Clint Eastwood as Joe in A Fistful of Dollars
Clint Eastwood

as Joe

Gian Maria Volonte as Ramón Rojo in A Fistful of Dollars
Gian Maria Volonte

as Ramón Rojo

Photos

A Fistful of Dollars (1964)
A Fistful of Dollars (1964)

Users Reviews

Sergio Leone might have known a thing or two about film-making, but he clearly didn't know squat about guns or gunfighting. Though the action in this film was often hard to swallow, it was still a pretty gripping tale that was beautifully...
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